There is a perception that's permeating the Jamaican theatre community, that so-called roots plays such as Bashment Granny and Too Hot to Hangle, are nothing more than worthless displays of poor acting and is nothing short of buffoonery.

Some critics have gone as far as to say that they lack substance and are not worthy to be called plays. But despite these claims, they have proven to be more financially viable than some mainstream theatre productions.

Even more interesting is the fact that 'Granny' has been playing to packed houses at each showing.

What these so-called critics and highly-trained theatre professionals must understand is that they do have their relevance. In fact, they reflect a part of our culture that some are not privileged to see, especially those from upper and middle-class society.

The reality is that most Jamaicans are from the lower strata and, therefore, can easily identify with some of the characters in these productions, something that the 'other Jamaicans' would find difficult to comprehend.

Foundation actors such as the late Louise Bennett-Coverley (Miss Lou) and Ranny Williams (Maas Ran), are praised today as the cornerstone of Jamaica's theatre, and great actors, because they reflected a 'Jamaicanness' that's indicative of our culture.

My advice to the critics, therefore, is to hold down the diatribe and cynical comments. If it's not in line with your taste, you have an option. Leave that genre to those who are receptive.

-- Errol McLeish, Daytona, Greater Portmore, St. Catherine